
Sue Spiers lives in Hampshire and works with Winchester Poetry Festival. Sue’s poems have appeared in Acumen, Dawn Treader, Dreich, Fenland Poetry Journal, The North, Obsessed with Pipework and Sarasvati. She is the profile poet in South issue 70. Sue’s on-line poems are at Broken Spine, Dust, The High Window and Ink, Sweat & Tears. Her 2023 collection is De Do Do Do, De Da Da Da. Sue is a Wave 17 iamb poet. Her pamphlet: A Wallet of Creature Poems was published by Hedgehog Press in June 2024. In December Hedgehog Press, announced ‘Dandarabilla’ from the collection was one of his nominations for a Pushcart Prize. Sue Tweets @spiropoetry, Bluesky: @spiropoetry.bsky.social
Image: IWM (MH 33800)
1974



IWM (MH 33994)
The first I knew was mum reading out
Irene’s letter, then we looked for news.
Turkey invades Cyprus as a headline;
a bald statement absent of detail.
Arthur had to stay behind, no seat,
priority to ship out civilians, a skeleton
force kept to hold strategic positions
while Cypriots fought for their land.
Families had one day’s notice to leave,
transported like so much NAAFI cargo,
kids clinging to Hurricane webbing,
Brise Norton landing, stowed in a hangar.
Irene wrote of camp beds and blankets,
a make-shift latrine and army canteen
of lumpy mash, mushy peas and spam,
queuing to sign-up for family quarters.
Scabby Nicola left behind her tabby cat,
Theresa, dad’s joke, Green lost Tiny Tears
I would have had to abandon books,
no Lego, no solitaire, no dominoes.
Mum sent mail to rank and serial numbers,
not knowing where to find friends
scrambled to temporary accommodation,
bunked in with relatives or staying put.
Salamis families were forced south,
taking over ransacked blue verandahs,
making do with army issue furniture –
strange belongings in a shell of home.
Sue Spiers
Photo Credits:
People in lorry: IWM (MH 33800)
Background: Airline Hangar: IWM (MH 33996)
Girl: Pixabay by Pezibear
Tabby Cat: Pixabay by Sbringser
One O’Clock – Paphos Gate, Nicosia
Air is hot where we sit in the shade of a carob tree.
The water in our water bottle is warm
as is the plastic bottle.
The end of the street is barricaded
with oil drums filled with concrete, rusted barbed wire
stretched over a metal Y no one climbs.
There’s a sign against the sandbags,
one of welcome from the Catholic church*,
the mouth of its doorway neutral in this instance.
Its front door opens into dangerous darkness.
The obstacle of metal and wire climbs over its tiles.
Behind, there’s a square bell tower come watch tower.
The back wall of the church is in a different country.
The church could be a meeting place
for separated families.
Small cavities pock the sandstone façade
like bullet holes, no. I realise they are bullet holes.
Repairs to this side show neat grey paving.
Cars run the serpentine street
diverted away from this dead end, follow
its fresh yellow lines away from this fleeting rest place.
We drink the last of the tepid water,
consult the map of the city’s bastions, where to look next.
The bell strikes a solitary chime as we walk away.
*Holy Cross, Catholic Church
Sue Spiers
Photo Credits:
© Crown copyright reproduced under delegated authority from The Keeper of Public Records.
Carob Tree: Pixabay by Dimitrivetsikas1969
Boy and Barbed Wire: Pixabay by Kantsmith
NAAFI Shop Famagusta: IWM (MH 33842)
Paphos Gate by Sue Spiers
Background: Paphos Gate by Sue Spiers
Below: Airline Hangar: IWM (MH 33996)



