War & Peace

 

War & Peace

poems and stories 


   scroll down to read poems and stories in our

spring  strand

 growing from April 2025

 

meet the poets and writers


Kate Young

Joseph Long

Lizzie Ballagher

 

 

Glenn Hubbard 

 

War & Peace

 

 


Our first poem for Spring is by Glenn Hubbard

 

 

 

 

 

 

Glenn Hubbard lives in Newcastle. He began writing in 2013 and has had work published in a variety of journals including Stand, Strix, and London Grip. Although it may not always be obvious, he owes a great deal to the poetry of R.F. Langley.

Glenn Hubbard – PHOTO OF A HOWITZER FIRING IN UKRAINE

 

 

 

 

 

 

 

 

 

Houfnice.

Used by the Hussites 

in pre-Reformation  days.

Fired into Catholic cavalry 

to make mounted horses shy

knights in armour fly.

Not nice.

 

Houf

is a crowd. But for this 

pronouncement just five. 

Three crouch, eyes cast down

ears covered as if fearing

the report, like a judgement.

Another kneels in attendance,

awaiting the fatal determination.

Uff!

 

The last looks on 

awed by the bright yellow rorschach blot 

blooming in the grey sky.

He may be praying, die Hoffnung

that many will die; a thousand,

in Haufen, heaps of them.

Though they too are cherished 

by mothers with prayer ropes, 

their hands tied.

 

Hussites: Czech proto-Protestant Christians

Houfnice (Czech): A cannon used by the Hussites during the war (1419-1434) against Catholic forces.

Houf (Czech): A crowd

(die) Hoffnung (German): (the) hope

Haufen (German): piles, heaps

 

Glenn Hubbard

 

Ousel-Cock by Glenn Hubbard

Poems

 

Picture Credits:

Man kneeling (Credit: Pexels via Pixabay)
Horse shying (Credit: CJMM via Pixabay)
Knight’s helmet (Credit: ArsADAstra via Pixabay)
Heavy artillery shells (maybe for a Howitzer??) (Credit: Imperial War Museum (Q 86881))
Ukrainian women and a Polish soldier (in German-issued uniform) during the Polish-Soviet War 1919-1921 (Credit: Imperial War Museum (Q 92201))
Howitzer (below) (Credit: Imperial War Museum (H 14097

 

 

 

 

 

Joseph Long lives and works on the Medway as a father and Engineer, writing poetry between shifts. He has a passion for works which reflect working class life & culture and his main influences are John Cooper Clarke, Christopher Reid, Anna Akhmatova, Seamus Heaney, Ian Hamilton & Douglas Dunn.

Joseph has been published by Stand, Blackbox Manifold, The Amethyst Review, Littoral and he was also highly commended in the Erbacce Prize for Poetry in 2024..

 

​Joseph Long – A Small Village in Suffolk

 

 

 

 

 

 

Photo Credits:

Boy on Bike via Pixabay

Nuclear explosion: Image: IWM (TR 65682B)

Lane: Whitechappel79 via Pixabay

Child and Dog: Kanashi via Pixabay

Child Fence: Greyerbaby via Pixabay

Bird Fence: Surely via Pixabay

Barbed Wire Man: FuN_Lucky via Pixabay

 

 

 

 

 

 

 

 

 

At the end of the lane is the end of the line,

a front line – and to rational actors, a line 

in the sand. It was once, just a lane – pitted, rutted. 

Before host nation cared, before the tack tarmac

laden trucks backed up one morning, without warning.

 

Before sheep walks became elephant proof, before 

bridle turned taxiway. In those days of small things, 

we would cycle down to feel spring speedwell against 

sole, nape. To scent sheep-cropped fescue, scatter curlew,

pick scrape for eggs. Our incursions were good tidy

 

before chain links. After links and lateral scars 

were carved in our Breckland sward, did mining bee care? 

Did hare, turn a hair? Would curlew sorties confirm /

deny what was there? There may be no amara!

So, we all sought to play in this rum, conjured base.

 

Before gauges swayed and our Suffolk sands turned to glass. 

Before rolling, oiled cumulus caught us and its 

torrid breeze roiled our broadleaf trees. Before we heard

soundless call or dull pedal notes. Before cuckoo 

clocks got giddy, beneath our feet in rumoured vaults.

 

We boys were curious for more than blast pens or 

tube alloys – and the digger wasp would help us. Help

delve down to those vaults below chalk, clay, flint and silt. 

Where we’d scamper down surety warrens – play war games, 

take names amongst Harvard Candles born of the dawn.

 

Once, our insignificance might have saved us. Since,

we’ve learnt the humility of grazing ruminant – 

ready for ritual slaughter. Generations

of crick neck, sloped back – gazing into the middle 

distance (or below), in our small village in Suffolk.

 

Note: Although never officially confirmed, US nuclear weapons were based at RAF Lakenheath, Suffolk from the 1950s until the 1990s. They are due to return.

 

Joseph Long

 

A Letter to Gilbert White by Robyn Bolam

Poems

 

 

 

 

 

 

Kate Young’s poetry has appeared in journals and online. It was also included in Places of Poetry and Write Out Loud. Her pamphlets A Spark in the Darkness and Beyond the School Gate have been published with Hedgehog Press. Find her on X @Kateyoung12poet or her website kateyoungpoet.co.uk

Kate Young – Nothing Has Changed 

 

Nothing Has Changed

After Imagine, by John Lennon

 

 

 

Photo Credits:

Tree Sun: TheDigitalArtist via Pixabay

Blue Flowers: FoYu via Pixabay

Children Sand: ThanhTN via Pixabay

Child Poverty: billycm via Pixabay

Hands Doves: NoName_13 via Pixabay

Imagine: gOutier via Pixabay

 

Ghosts will vaporise and tell you otherwise –

they are wrong.

They’ll feed you visions of advancement,

ask you to taste their driverless cars,

roll a 5g network over your tongue,

savour a lyric penned by AI.

The lie is ferric – spit it out.

 

How is that imagination John?

You dreamed of borderless, religious-less, 

hunger-less nations sharing all the world –

reality is a bullet in the back of Manhattan

 

a crimson gash ribbled on stone

and crushed in the rubble of Gaza,

a convoy of crater-skulls lining the road

in the ashen remains of Ukraine,

a dull-eyed child absorbed in PVC

on shores that throw back the shingle,

a trudge of commas making no sense.

 

I let you sing me to sleep,

the oh-so-simple riff of piano keys

lifting, shifting to resolution.

Keep dreaming John, keep dreaming.

 

 

Kate Young

 

Poems

 

 

 

 

 

A published novelist between 1984 and 1996 in North America, the UK, Australasia, Netherlands and Sweden (pen-name Elizabeth Gibson), Lizzie Ballagher now writes poetry rather than fiction. Her work has been featured in a variety of magazines and webzines: Nine Muses, Nitrogen House, the Ekphrastic Review, South-East Walker Magazine, Far East, and Poetry Space.  

 She lives in southern England, writing a blog at

https://lizzieballagherpoetry.wordpress.com/.

Lizzie Ballagher – Cat Man of Kafr Nabl

 

 

 

 

Photo Credits:

(above) – GenArt via Pixabay

cat on steps – christels via Pixabay

pair – umaraziz24 via Pixabay

Leonhard_Niederwimmer via Pixabay

Syria bombed – Karabo_Spain via Pixabay

(below) – dimitrisvetsikas1969

 

 

 

 

Cats crouch in corners,

or follow, weaving

round your legs in terror when

you duck across the street….

Bombs, rockets pound your walls,

shatter dreams to cinders, turn all 

to dust: bloodless, without hope.

 

When shells burst, 

Kafr Nabl shakes:

streets are streaked with tabbies, 

the once creamy-coated,

with ginger toms & tiger stripes,

cadaverous silver cats famished,

tarnished in the smut of war.

 

At night cats’ eyes blink green

as shock-waves of artillery 

& mewling, yowling cries

drench sudden air.

Careless death descends 

in fiery embers,

incandescent shrapnel. War slams 

 

life’s voices shut. Cats have not

asked for conflict, or for pity.

But you will feed them milk, noodles, lentils—

whatever you can scavenge, prowling,

running on all fours between basements,

now a cat yourself, your shadow streaked

as theirs: your soul furred with suffering.

 

Your breastbone shifts in pity. 

In this barrage-wrecked town,

your arms will cradle them against 

the crump & leap of your own heart.

Purring, they will comfort you…

although their needle teeth, their claws

are as much a match for missiles

as your broken fingernails.

 

Lizzie Ballagher

Goldfinch in Holly by Lizzie Ballagher

Stories

Poems

 

 

 

 

 

We would like to dedicate this theme to Kevin Barrett who was a long time member of Winchester Muse and fine poet.

Kevin Barrett was born in Winchester where he was very active on the local poetry scene. He studied with the Open University, obtaining an honours degree in humanities and literature. He won the Orbis International Journal’s Readers Award and his poem “Winter Solstice” was Hampshire County Council’s poem of the day.  He was published in several journals and anthologies and his pamphlet I Died in Hell. (They Call it Passchendale) and his first collection were published in 2017.  Kevin will be remembered for his powerful war poetry.

Here is a link to Kevin’s wonderful poem, The Trees.  Scroll down to read another of Kevin’s poems ‘Wounded in Action’.

Kevin Barrett – Wounded in Action

Wounded in Action

I had a tiny hole in my head,
My horse lying on top of me
Lashed out one last time before dying,
I couldn’t control the cavalry boot
With the leg in it,
Which was moving too far away,
I tried to say something,
But my mouth was stiff with blood,
I wanted to ask how was it
That the sun and moon
Were both shining at the same time,
I wanted to point at the sky
But my arm wouldn’t move,
The huge shadows
Were growing all around me,
And on the grass
Two Russian officers
Were dancing as in a ballet.
And what on earth was I to do
With the scent of flowers
Whose name I couldn’t remember.

K.J. Barrett

First published in 2024 by the Open University in Openings 41.

If you would like to submit, read on.

 

Our theme for Spring 2025 is War & Peace.

THE INDIAN LABOUR CORPS ON THE WESTERN FRONT 1916-1918 Indian troops burning charcoal in the Forest of Brotonne, 22 January 1918. Copyright: © IWM. Original Source: http://www.iwm.org.uk/collections/item/object/205244349

Image Permission: IWM (Q 8495)


Submission Guidelines

Please send up to 4 poems as a single Word document attachment (with your name at the start of the attachment’s name) to submit@wordsforthewild.co.uk. Poems should be a maximum of 40 lines. 

Please send up to 2 stories as a single Word document attachment (with your name at the start of the attachment’s name) to submit@wordsforthewild.co.uk. Stories should be a maximum of around 2,000 words. 

Use WAR & PEACE as the subject of your email.


Closing date for the theme will be 30th May. Please bear with us if you experience a delay in our response to your submission. 


WAR DOGS DURING THE FIRST WORLD WAR, WESTERN FRONT, 1918 A group of dog handlers stand with their dogs at the British Army kennels near Etaples, 20 April 1918. The rows of kennels can be seen behind them. Copyright: © IWM. Original Source: http://www.iwm.org.uk/collections/item/object/205213159

Image Permission: IWM (Q 29549)


AUSTRALIAN FORCES IN THE MIDDLE EAST A Squadron, 9th Australian Light Horse Regiment encamped in the Jordan Valley near Jericho, 17 August 1918. Fighting as mounted infantry, the men of the Light Horse were mostly bushmen used to handling horses and rifles, and they could tolerate the summer heat of Palestine. Copyright: © IWM. Original Source: http://www.iwm.org.uk/collections/item/object/205213127

Image Permission : IWM (E(AUS)5559)


We are happy to take previously published work. If you would like to submit, please send up to four poems or up to two short stories in a word document to: submit@wordsforthewild.co.uk with your name in the attachment’s name. We look forward to going wherever you take us.

 


Other image credits:

Wild Flowers: Louise

Sun and Moon Bru_nO via Pixabay

Pony Trap – Susannah in Russia 1917: Amanda

Horse’s Eye: Pezibear Pixabay

 

 


War & Peace

In memory of Kevin Barrett

Our theme for Spring 2025 is War & Peace.

We hardly need an introduction to this theme; War seems to be all around us in one form or another. Peace, less so.

 

Perhaps a few concepts might be worth considering.

 

By definition, War is characterised by widespread violence, destruction and mortality. Peace may be defined as an absence or cessation of hostilities.

 

The natural world is always impacted.

 

It’s a huge theme with a vast array of associated emotions but consider your focus. It might be more powerful to tone down the rhetoric, focus on minutiae or perhaps not. You might choose to explore either War or Peace or both. Perhaps it is worth repeating, remember how the natural world is impacted.